A
seminar for editors sponsored by The Crimes of War Project and The
Freedom Forum
Day One, Panel One: What Will the Next War
Look Like and What Will the International Community Do About It?
Moderator/Discussant: Michael Ignatieff, Author
Introduction Michael Ignatieff
JOHN OWEN: I've been asked to segue
right in and introduce someone that I've gotten to know well through
my former days at CBC and also in London, as he's been very much
a part of our European center programs, and that is Michael Ignatieff.
I think we all have great envy about how Michael Ignatieff can turn
out the kind of journalism he does, write the kind of serious books
he does, and do it with such high quality, and also be a broadcaster.
He is indeed a triple threat, and I think most of you are familiar
with much of what he has written. He found time to turn out a biography
of Isaiah Berlin in the last three years. But he also now has completed
his trilogy of books about nationalism, Blood and Belonging,
a second book about the
role of the NGO community and the Red Cross, The Warriors' Honor,
and now, finally, a third in this trilogy, Virtual War, his
brilliant study of Kosovo which we're about to see in the coverage
of war and the conduct of war in the future. So it is indeed a pleasure
to introduce Michael Ignatieff.
MICHAEL IGNATIEFF: We thank John Owen
very much. The Freedom Forum in London is an open ecumenical shop
where the best writers, best journalists, and best broadcasters
in Europe come and tangle and argue and fight and shout at each
other, as they did recently in a memorable encounter over Kosovo
war coverage. John runs one of the liveliest places for discussion
of journalistic ethics anywhere in the world, and I want to commend
him for the leadership he's given to that center in London.
I also now want to introduce the extremely distinguished panel that
we have here. Ralph Peters, Lieutenant Colonel, U.S. Army, Retired,
author of Fighting for the Future: Will America Triumph?
I followed Ralph Peters' work when it appeared in relatively obscure
journals reserved for Army intellectuals.
He's an Army intellectual, and one I've learned enormously from,
with the significant difference that he writes extremely well, and
I commend his work to you.
Next, Aryeh Neier, a legend--I think it is fair to say without exaggeration--a
legend in the human rights community, internationally, and particularly
in the United States through his work at with Human Rights Watch
and now as president of the Open Society.
And René Kosirnik, Deputy Director of International Law and
Communication at the ICRC. The ICRC is an organization that journalists
congenially fight with and argue with and object to and have difficulty
with in the field. That is, we're bothered by their neutrality,
we're bothered by their stiff upper lip, we're bothered by their
refusal to share information, we're bothered by all kinds of things.
What we don't often say enough is that they are the toughest and
most professional NGO in combat areas in the world today, and they
deservedly have a reputation for professionalism which many journalists
can only envy and so it's very good that the ICRC is present here,
not only with René Kosirnik, but I know there are some other
ICRC people here, including my friend Urs Boegli.
I was also asked by Roy Gutman to sort of set the frame for the
debate by making a few initial remarks about what the next war will
look like. I've just finished a book called Virtual War: Kosovo
and Beyond, and I want to put the emphasis on the word "beyond"
in my remarks to you.
Virtual war, as I describe it, is not simply war waged with precision
guided munitions and high tech of the kind we saw first in the Gulf
War and then in 1999; it's war waged within a certain distinctive
model, and moral frame. You might call this frame the modern political
correctness as applied to warfare. But the two rules that I have
identified when trying to identify the paradigm of virtual war have
simply been the zero casualty rule on the one hand and the zero
collateral damage rule on the
other. These are asymptotes in geometric parlance that is where
the trend lines are moving. They're not- clearly there were collateral
damage incidents in the war, but the utopia towards which virtual
war intends is the use of military violence so precise that it only
hits military targets, causes absolute damage, and does so without
the expenditure of a single American life. And I do think this form
of warfare has stolen upon us very rapidly as journalists.
My book discusses this in much greater detail. One of the aspects
of the war that's extremely important, which relates to ICRC issues
and humanitarian law issues, is that these are heavily legalized
wars, to the degree that I hadn't realized until I began reporting
them. There are lawyers sitting beside every single general and
every single targeting cell- of the 700 targets reviewed by NATO
for these strikes- and every single one of them was reviewed in
a computerized, real time assessment, according to the Geneva Convention's
criteria.
In the history of this story, there wasn't a lawyer or a military
lawyer within a country mile of a targeting cell for the United
States Air Force during the bombing in Vietnam. By 1991, there were
targeting lawyers sitting beside Chuck Horner. By 1999, they're
actually integrated into the NATO development process. The development
of air tasking orders includes a legal assessment of collateral
damage, reasonable person assessments of damages, et cetera, and
the aim of this seems to be political, that is to provide generals
with the ability to stand up at a press conference and say, "we're
covered, boys."
The difficulty with this, of course, is that as we know from our
own personal life, what is legal is not necessarily moral. The lawyers
provide legal coverage which hopes in a way to short circuit the
moral discussion that the public wants to have about the ethics
of targeting decisions. And the function of these lawyers is basically
to provide political coverage for military leaders. And it seems
to me this raises an important issue for journalists which is that
as a rule of thumb we should not take the assertion by any commander
that he has Geneva Conventions coverage as the end of an argument
as to the appropriateness of the target. Not because I disrespect
the Geneva Conventions- I respect them greatly- but simply because
many of these issues of targeting are intrinsically controversial
morally. That is, is the targeting of the Belgrade power grid a
military or civilian target? Is it a dual use target? What forms
of strikes are appropriate?
These are issues on which the whole legitimacy of an air campaign
can turn. And what NATO is trying to tell you is, we've got it covered,
boys, with legal stuff. The journalistic obligation is to raise
those questions because they are the questions the public wants
to know. Is what is legal, moral? So that's one issue.
I call these wars virtual because they export the mortal risks of
combat to the other side. War is real in Belgrade. War is horribly
real in Belgrade. War is horribly real in Kosovo. But it's not especially
real in the United States or Britain, in the combatant nations.
This poses an enormous challenge for journalists. I mean, in a sense
my slogan to you is if the wars of the future are virtual, our job
as journalists is to make them real for our viewers, our readers,
our fellow citizens. The fundamental issue I raise in the book is
that if you have virtual war technology- as is available to the
United States President, which allows him to strike any target in
the globe in next to real time, with next to perfect accuracy, with
very limited forms of collateral damage- the political risks of
using military violence appear to me to go way down.
The threshold at which a President can engage military violence
is decreasing, because the technology is giving him weapons that
he can actually use. This scenario of the past 40, 50 years of our
post-war history, which was -- the President had nuclear weapons,
and those were so horrible in their effects that it disciplined
his resort to them to the point that they were never used.
But he now has a new armory of technology that is extremely easy
to use. And the question is: If he's using them in a context where
there is no risk to American citizens or no risk to allied citizens,
will citizens care enough to restrain the violence used in their
name? What are the democratic consequences of virtual war? As journalists
and editors, you're on the front lines of this, because the thing
that stares me in the face in the Kosovo campaign is that there
the War Powers Act was in
abeyance. There was no scrutiny by Congress or Parliament or the
institutions that represented the democracy of this exercise in
military violence. The scrutiny was entirely conducted by the media.
I mean, entirely-by the presence of cameramen in Belgrade and, previously,
in Baghdad-they relayed the doleful pictures back to the American
public, the British public, and the Canadian public. And it was
that transmission mechanism, the transparency of virtual war, in
other words, which was the sole democratic control on that form
of use of military violence.
So we, as a writing and reporting and broadcasting community, are
the democratic regulators of modern military violence, because institutional
regulation of this violence is in abeyance.
Now that gives us a substantial responsibility. It's a responsibility
systematically exploited by the other side. Let's be clear that
Slobodan Milosevic and Saddam Hussein's chief air defense weapon
was CNN and the BBC.
The ability to use collateral damage incidents like theAmeriyaa
bunker incident in February 1991, which effectively shot off further
strategic bombing over the city of Baghdad. Once those images were
played out to the American public, the clamp on air targeting over
Baghdad went on and the air campaign shifted elsewhere. So he literally
managed to turn off an air campaign by using the media.
So we're in the front line both of the democratic control of military
violence, but we're also in the front line in the counter war. And
the difficulties of being used by our antagonists are enormous.
We go out and report collateral damage incidents on the jack of
a road as conscientious journalists. We don't know what the hell
we're seeing-have the bodies been rearranged, have they been transported,
are they the bodies that were hit, are these body parts the real
body parts?
Enormous issues turn on this. The whole legitimacy of the NATO campaign
could have gone tilt had the jack of the road incident been reported
in a certain way. Journalists had to strain to find out facts in
highly controlled situations where an authoritarian press leadership
is spinning us this way and that way, and the consequences for the
democratic public and the capacity for us to wage virtual war are
enormous.
So our job is to make the virtual, real. Our job is to regulate
the use of military violence by our democracies because nobody else
seems to be doing it. Certainly, our Congress isn't doing it.
And there are two other issues that I want to raise before I sit
down, because the thing says what will the next war look like? There
is no guarantee that the next war will look like Kosovo at all.
Maybe we have no way of knowing whether Kosovo is the end of 20th
Century warfare as we know it or if it is the harbinger of what's
to come.
Two elements, or three potential elements, of future war cause me
concern as a writer. One of them is what if virtual war is invisible?
What if the next war is cyberwar? NATO is at the edge of using--and
probably did use, although we don't know the exact degree--an enormous
amount of computer attacks on central systems of the opposing side,
from emptying out Milosevic's bank account to hitting C-4 centers
with cyberwar attacks.
Do we have a journalism that's capable of exerting democratic control
over cyberwar? Over war that you don't even know is happening until
it's over? The commercial media is having enough trouble covering
the e-commerce revolution. Just think about the difficulties of
covering the cyberwar revolution, because I do believe that's where
combat is going. I do believe that the chief strategic threat to
the United States, conversely, is attack on the computer networks
that run everything from our credit cards to our personal computers.
If that's the strategic center of gravity of modern societies, do
we have a journalism adequate to raise the moral, ethical, and legal
issues involved in cyberwar attacks? That is where virtual war is
invisible.
There's another kind of invisible war which is being waged at the
moment, which is the air interdiction operation over Iraq. Here's
a virtual war where we rained high precision lethality on a loathed
and despised regime and there's no one covering the war at all.
So it goes on in perfect impunity- political impunity, moral impunity,
every kind of impunity. This is not to say I either approve or disapprove
of air interdiction over Iraq. All I'm saying is that we're not
there. And because we're not there, it's under no form of control
at all. No one is accountable to anybody as a result of the fact
that we're not there. That's the second kind of invisible virtual
war that we need to think about.
The third kind of war is not virtual at all. It's real as hell,
and that's a much more traditional problem, such as wars like Chechnya.
Horrible, horrible, combat casualties. Horrible, horrible collateral
damages which are kept from our screens by the simple expedient
of excluding journalists altogether. This is a different kind of
challenge, but I didn't want to neglect it.
There's absolutely no guarantee that the wars of the future will
all be virtual. It seems to me that one of the competitive advantages
of those faced with the new virtual technologies- virtual war technologies
of the United States-and it's a point that Ralph Peters has made
repeatedly, is that if we fight clean, they're going to fight dirty.
If we fight high-tech and at 15,000 feet, the competitive advantage
lies in low-tech, low rent warfare.
That is, if our moral asymptotes are zero collateral damage and
zero casualties, competitive advantage in the use of military violence
lies in reversing those moral asymptotes. It lies in saying if there's
an American way of war which is zero casualties and zero collateral
damage, then they'll be a Russian way of war, or a Chinese way of
war, or a North Korean way of war, which is high collateral damage,
high casualties. And we have to be aware that the American monopoly
in this area is contingent, limited, finite, bound to run out and,
secondly, that strategic competitors see what the game is. They
see that the crucial Achilles heel of modern American power are
these two moral asymptotes and will therefore move military force
towards other and competing moral asymptotes. They will put a third
thing into the ringer which is that they will keep you out and do
their dirty work outside of scrutiny.
So here are four scenarios of future war that I've laid out. One
is the kind of Kosovo, high visibility, humanitarian intervention
conducted in the glare of publicity. You're on the front line because
you provide the democratic accountability over the use of military
violence. You've got a huge responsibility. That's one kind of case
in the future.
The second one gets much tougher. It's when virtual war is invisible;
namely, cyberwar. The third case is when it's not cyberwar, but
it's still invisible. It's an air interdiction regime where your
editors say to you, where the hell is this? Who cares about this
place? Yet people are dying. If we don't go, there's simply no ccountability,
no control, and no regulation of this use of violence.
And the fourth case is a different kind of case, which is a dirty,
casualty-intensive war, which we are kept out of by a foreign competitor
like the Russians. And when we're kept out, the consequences are
massive. Human rights violations of a horrible kind.
So here are some scenarios. All of them pose great challenges to
journalists. And in spite of all the negative things Ive mentioned,
I want to conclude with a positive thing. I do think, to a degree
that journalists are often not aware of, we are the fundamental
democratic regulators of the use of violence in the modern world.
It's a hell of a responsibility. And my judgment about the Kosovo
campaign is that we were spun like crazy by NATO. We were spun like
crazy by Belgrade. And a few journalists saved the collective honor
of our profession by doing an honest job on the ground in difficult
circumstances.
So I want to end on a positive note. I'm very proud to be part of
some of the journalism I saw in extremely difficult situations in
Belgrade and it performed an essential regulatory function. Having
said that, I'm in favor of military intervention in Kosovo. I'm
not in favor of military intervention that is not subject to democratic
regulation, and we are on the front line of that, in my view, noble
case.
Having said that, I want to turn it over to Ralph Peters to contribute
next and then go along the panel in this order.
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